Anne Stockton
SAG-AFTRA • AEA
| THEATER | ||
|---|---|---|
| FIRST WARNING! (English language world premiere by August Strindberg) |
Baroness | Theater for the New City |
| I WON’T BE IN ON MONDAY | Writer and Solo Performer (dir: Austin Pendleton) |
United Solo Festival – BEST ONE WOMAN DRAMA Urban Stages – This Fortnight is Female festival Off the Wall Productions – Carnegie, PA |
| THE SPEED QUEEN (adapted from the novel by Stewart O’Nan) |
Writer and Solo Performer (dir: Austin Pendleton) |
United Solo Festival New Jersey Repertory Company Midtown International Theatre Festival (winner Outstanding Performance in a Solo Show) Off the Wall Productions – Carnegie, PA Culture Project Women Center Stage Festival |
| AMERICAN CAESAR | Leona Pidus | Theatre Three (dir: Mary Kate Burke) |
| POSTCODE | Carole | HERE – American Living Room Festival |
| VEGETARIAN CARVES THE BIRD | Marcia | J.E.T. Theatre |
| WEEKEND WITH BOB | Narris | Paradise Theatre (written by Tom Noonan) |
| SLIVERS OF GLASS | Jesse | Playwrights Horizons Summerfest |
| FIT TO PRINT | Anastasia | Playwrights Horizons Summerfest |
| COMMODITIES | Madame Zilensky | Harold Clurman Theatre |
| REAL LIVE DANCING BOY | Mary | Playwrights Horizons Summerfest |
| THE EMPIRE BUILDERS | Mother | Playwrights Horizons Summerfest |
| TALKING MINKS | Roberta | Cubiculo |
| THE BALD SOPRANO | Maid | Cubiculo |
| FILM AND TELEVISION | ||
| CORPUS | Day Player | dir: Corrin Evan/Indie Feature |
| BLUE BLOODS | Co-Star | CBS-TV |
| SILENT PARTNER | Co-Star | dir: Eric Branco/Indie Feature |
| MARGO FOR REAL | Supporting | dir: Andrea Ashton |
| BRB | Supporting | dir: Emily Evans |
| NERVOSA | Supporting | dir: Matt Samoff/Indie Feature |
| LATE NIGHT W/CONAN O’BRIEN | Sketch Performer | NBC-TV (2 episodes) |
| CENTRAL PARK WEST | Socialite | CBS-TV |
| BIRDS WEDDING | Lead | dir: Margit Bimler/German TV Pilot |
| BUT | Lead | dir: Ingi Ingason/Festival Screening |
| THE DARK KNIGHT | Supporting | dir: Eric Farber/Indie SAG Feature |
| JUST ANOTHER DAY | Lead | dir: Marty Kleber/NYU Thesis Film |
| COMMERCIALS | ||
| Principal Performer. National Spots. SENSODYNE , ANACIN… | ||
| INDUSTRIALS | ||
| Character and spokesperson for XEROX, CON EDISON, SONY… | ||
| TRAINING | ||
| Technique | Bill Esper (2 year program) | |
| Scene Study | Austin Pendleton, Ron Van Lieu, Tom O’Brien | |
| On Camera | Heidi Marshall | |
| Movement for Actors | Loyd Williamson, Janice Orlandi | |
| Improvisation | Paul Sills, Michael Howard Studio | |
| Vocal Production | Pasty Rodenburg, Catherine Fitzmaurice | |
| Mask | Per Brahe | |
| Monologues | Karen Kohlhaas | |
| OF SPECIAL NOTE | ||
| Medical Doctor-Psychiatrist | ||
| Actor/ trainer: NYPD Hostage Negotiation Team and Emergency Service Unit Featured in Acting “As If” – Role Play Simulations in High Stakes Police Encounters, Wit Journal, December 2022 – link |
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| Consultant to Matt Dillon and director Tim Hunter on the film The SAINT OF FORT WASHINGTON | ||
| Consultant to Edward Stern – Producing Artistic Director of Cincinnati Playhouse in the Park | ||
| Dialects – Oklahoma, Standard British | ||
